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Hans Memling Allegory of Chastity oil painting reproduction


Allegory of Chastity
Musee Jacquemart-Andre, Paris
Hans Memling24.jpgPainting ID::  2940
 

 
 
   
      

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GIOTTO di Bondone Allegory of Chastity oil painting reproduction


Allegory of Chastity
c. 1330 Fresco Lower Church
new19/GIOTTO di Bondone-858964.jpgPainting ID::  52369
 

 
 
   
      

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GIOTTO di Bondone Allegory of Chastity oil painting reproduction


Allegory of Chastity
1330 Fresco Lower Church, San Francesco, Assisi Extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity (detail) , 1301-1350 Painting Style: Italian , , religious
new21/GIOTTO di Bondone-524685.jpgPainting ID::  62982
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling Allegory of Chastity oil painting reproduction


Allegory of Chastity
Hans Memling, Allegory of Chastity (1475, oil on wood)
new23/Hans Memling-675946.jpgPainting ID::  71860
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling Allegory of Chastity oil painting reproduction


Allegory of Chastity
(1475, oil on wood) cyf
new24/Hans Memling-575447.jpgPainting ID::  73144
 

 
 
   
      
Hans Memling
  
Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
Allegory of Chastity
(1475, oil on wood) cyf

Related Paintings to Hans Memling :.
| Guido Palmeruccio--Saint Romuald | Hans Memling -- Virgin of Jacob Floreins | William Etty--Allegory | Edouard Manet062 | Agnolo Bronzino (1503-1572) -- Holy Family with Saints Anne and John the Baptist | | Bank on the afternoon of | Youth and Time | The Whistling Boy | James Kitson | Mary f |

        

 

 

 
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